In terms of daily routine, the writerly life is not a colorful one. I spend most free afternoons mornings checking in on whatever emails and notifications I have. I fix a pot of tea and wake up my brain before promptly shutting off my Internet and settling in to write. There are breaks for reading, food, and more tea, but very little changes of this routine until the wee hours of the morning.
I love my job, but I’m a social creature. Hours of writing are tedious, even to those who love writing. Which is why I love being connected to my readership; I love notes on here, or Pinterest, or Goodreads. I love when my readers let me know how much they enjoyed reading something, or how much they look forward to a book, or if they like a picture of my cats. These comments remind me that my hours are worth the effort to someone, even if it’s just one person. That connection is so, so special. And I know I’m not alone in that feeling. Many writers take to social media and actively reach out to their audiences, creating a unique experience that only the Internet can offer: a direct connection. This is, in its own right, one of the best tools to hand the often reclusive writer and the often shy reader. The walls of pomp and business are broken down, leaving only people and conversation in its stead. With this world into the interpersonal artist has its roadblocks. Social media is oftentimes as treacherous as it is kind, especially to the open-minded writer and the honest reader. Many popular authors such as John Green and Cassandra Clare formed a good dynamic with their bases, only to be forced to guard themselves when their books' audiences grew. Rumors fly. Hate-mail rolls in. Arguments proceed. And with most authors manning their own social media, the line between what not to react to can become difficult. And of course, there are indie authors. Small-timers and self-published folks, like myself. Oftentimes, the indie author's image is their starting point. So many blogs encourage having an online presence far before you begin pushing a book. As an indie author, this will probably be your first and best step, because your online base counts for a lot. This will also be the worst step, because your readers now make and break you, depending not only on your writing, but on your behavior. Over the summer, the whole of the writing world laughed when indie-published Dylan Saccario had a meltdown over a single negative reviewer. He came under fire on Goodreads; his ratings and reputation were tarnished in the aftermath. Searching “indie author meltdown” pulls him up fast, amongst a number of others who have committed “social-media suicide.” Fits thrown at reviewers. Fights with other authors. Flame wars that burn with the fuel of a thousand careers. Without a publishing house to fall onto, or an agent to pull people back, many of these authors vanish into the ether. After all, rep is everything and the Internet is forever. The idea to finish this blog post, which I started in June, was admittedly spurred from my own recent experiences with the Internet. My small-sized writing community suffered a few incidents of author fit-throwing and bad behavior. Doing well in a recent contest, my intentions when critiquing were called into question. I watched as several well-known writer friends had the same (and worse) thrown their way over simple ranks in a competition. I sighed and fought the urge to get too annoyed. Coming from a five-year stint in fan fiction and four years as an active, semi-popular YouTuber, I have weathered familiar storms. An unfortunate effort to share my work with a particular editing event had one member so angry she started a rampage because I was a “subscription whore”. The fight grew nasty enough that the bully began spreading rumors about me to viewers through PM. Several 4chan members found me through an anti-bullying campaign video, its removal ironically ending the harassment and threats I had received for a week. A young member of my fan fiction group once faked his own death for attention. A young AMV editor I exchanged emails with was reported dead in 2010, having killed herself over bullying on the site. You just cannot win. But you can press forward. The Internet is concentrated troll, and you cannot fight that part. Witnessing what I have over the years though, I have also experienced a great deal of kindness and support from people who are basic strangers to my real life. Awkward and lacking in verbal communication, but still meaningful. The author's relationship with their readership is just another example of this awkwardness. Our culture bashes on the famous and creative like they are not people; the Internet expects them to participate like they are. Neither know how to handle this responsibility. We continue break barriers, even though we are no longer sure how to act. As I recently read from Amanda Palmer, “some people just suck.” But that doesn't mean everyone does, nor do they have to. I personally love my connection with my readers and fellow authors. I thrive better, knowing they are out there somewhere. To that end, I hope the growing culture around viewer/creator connections will foster a more positive environment. A little kindness, after all, goes a long way.
Chimehour is making some big steps on the road to its release on September 15th, 2015!
First off, you can now check out the trailer for the book, made by yours truly. ^^ It's a visual treat, and reminded me how much I love editing really. Give it a look, if you're curious.
The next part is the sample, which I have released this past month via Amazon, WattPad, Smashwords, Inkitt, and Goodreads! All those can be found on my Books page. ^^
Writing a novel is tough. There, I've said the age old mantra. The fateful words that eventually leave anyone who is penning their first draft, or revising for the tenth time, or banging their head against the wall over query letters and synopsis work. It's a full time job without a whole lot of pay, and consumes your time like a hungry monster, eager for the next words you put down.
College is, by comparison, also tough. Sometimes tougher then writing, depending on your opinion. The pressing hours, study binges, and social networking can be as dizzying as they are enjoyable. School has a tendency to become one's job, and that doesn't account for your time if you have an actual job to attend as well. So, that all being said, it sounds outright impossible to do both, right? And yet I have still gone for it. A summer before I started my first semester, I decided to sit down and finish penning for first novel, Chimehour. Because it was time; because I would write, no matter what got in my path. Two years and two books later, I'm still going strong; always busy, and usually happy, but going strong. Here's a few tips on how I did it, and how you can too!
-- Are you a college student and writing? What are your experiences? What have you done you to keep up your work? As a busy writer in the midst of finishing the second draft on a novel, I have come to a crossroads; that strange point between claiming “I have a great concept” and calling myself an author. After a year and a half dedicated to this book, I have obviously reached a very different place than Concept World. And as a result of this, I have evolved with my book. Grown from it, and I continue to do so every day.
But everyone starts somewhere, right? And that’s what I’m intent to talk about today. Because no one begins with a fully drafted book, or even a fully fledged concept on how writing works. Everything, from the time we are young, is a learning process. That was true of me, who spent a large slice of her childhood making picture book adventures of my family chickens, and creating vast governments for my toys (judge not: I was a weird child). I loved to create, but I needed to start somewhere… I suppose that was how TwilaStarla came to be. And furthermore, how I came to write Kim Possible fan fiction. Fan fiction: just writing the word makes me a little nervous now. Writing fan fiction comes with negative connotations these days, due to some authors and how they have used it. Fandoms and actual authors are worlds away from each other, yes? And there always seems to be a reason for that. Writers who spend too much time in a fandom often come out bewildered and full of poor novels. But this isn’t always true. Even greats like Neil Gaiman (a personal favorite author of mine) wrote fan fics at one point, and claim that it is a productive, healthy part of becoming an author. And there are things to be learned of writing fan fiction, from my personal experience. At the awkward, girlish age of eleven, I had two loves: creative satire and superheroes (once more, judge not: I was a weird child). So, when Kim Possible first came out, I was instantly hooked. Hooked more than usual, actually, and enough to stay hooked on the show for another five years. This was helped in part when I discovered its growing fandom around 2004. And its sizable collection of fan fiction with it. One thing led to another, and the next thing I knew, I was working my own first fan fictions. And before you ask: no, I did not write lemon (or smut, depending on your terms), or read them for that matter. As fangirls went, I was something of an odd puritan about those things. This resulted in me becoming an OC creator and an AU writer. I liked taking the worlds I wrote about and twisting them ever so slightly. This is well exampled in my first story, a tale of heroism detailing the lives of every main cast members’ newly imagined younger siblings and children. It was a nineteen chapter saga, written in a black notebook and glitter gel pen. Oh, it was very likely awful. But, see, I had written my first story. That’s what mattered. A couple years passed, and I kept writing new stories until I turned thirteen. A big story in particular, detailing the adventures of my treasured OC, Mira, and her misunderstood life. Her extra special powers. Her super awesome parents… *sigh* Granted, she had black hair (not blonde, as I have)… expect I wanted black hair. *double sigh* Mary-Sues are a writer’s bane now, but I have a different thought about this. Because- see, she wasn’t a Mary-Sue to me then. She was an expression of something; an escape. And by all means, that made me happy. When working out your first writing, express the Mary-Sue. Let it happen. Because it’s going to happen: the first stories we write are autobiographical, they say. So, loose yourself of her in fan fiction, and make it what you want. Because once you’ve learned how to write those excesses, you can figure out how to take them out in the future. My next lesson came when I got myself an account on FanFiction.net. I took all of those stories and posted them to an unknown populace, and would continue to do this for another three to four years. In those years, I developed my writing habits. My ticks and tricks that got my through several novel-length fics. Some of these were truly beneficial, but others… not so much. One of the first things I realized about posting fan fiction is that your audience does not come to you. For all the friends I had, garnering readership meant being active and catching people’s attention on that front page. Pushing your work everywhere; promoting everything. This meant pumping chapters out fast, one by one, and without much editing. (Note: I am aware not every fan fiction author does their stories this way, but this is a norm amongst FF.net and Wattpad writers). This meant giving chapters quick revising, but little else.And this constant stream of writing did not teach me a lick of editing skills. And at then fourteen, I actually give myself leeway. There was a raw, simple rush of writing a first draft and sharing it with the world that kept my confidence bright and my writing fast. But I was forced break this upon working on full novels. Some authors don’t, but I do warn you; a full-fledged, purely yours, piece of fiction will take more than a read-through to clean up and tighten. Make it a habit early on, and use it often. It can save most any story, I think, and will save you a few tears when you post your work. In terms of fan fiction, I was a success in my own right. I won awards for my work. I got chapters featured on websites. I made some of the best friends I have ever made on the Internet. All before retiring from the Kim Possible fandom in 2009. And retiring from fan fiction work with it. Now, the resulting fan fictions (and other work) I wrote, well… they are here, for the most part: https://www.fanfiction.net/u/914364/Twila-Starla https://www.fictionpress.com/u/643797/Twila-Starla By all means, read through them. Laugh at them. Enjoy them. They are basic time machines to myself at sixteen years old- and horrible though that is, there is something to be learned from sixteen-year-old me. Something to be said of progress, no matter how small it may seem. So, say what we might about the Fifty Shades of Greys and Mortal Instruments of this world, there is merit in starting on fan fiction, no matter how old or young you are. There is merit in letting go of fan fiction and writing your own story, for better or worse. There is merit in writing nothing but fan fiction, if that’s what makes you happy. That is the biggest point. Write what makes you happy, and learn every step of the way. “Why do all steampunk stories take place in England?”
My boyfriend asked me this a few days ago, during one of our discussions that we often have now that I am revising my first novel, a gaslamp fantasy story that does indeed use London as a part of its setting. I had to stop and think, because he turned out right. Our main character moves to London. Lives in London already. Studied in London. Comes from London. The list really does go on… And with an underlying boom of YA historical fantasy on the book shelves, it can really seem like all the 1800s had were romantic English gardens and Cockney accents. At least the average fiction writer. Now, I love stories about the Victorian Era, steampunk or otherwise, but it never dawned on me how heavily London or England (but mostly London) is used in this type of fiction. So, that brings us back to the original question: why London? After some brainstorming and careful thought, have a few theories on that, and the reasons why this setting has become its own trope. And why that isn’t always a bad thing. There are two main reasons I have seen England used in this era. They usually go as follows: 1. Complacency: More commonly than not, when I’m reading historical fantasy, uses of London as a setting come from a complacent need for a setting. Any setting. Steampunk culture and film have made England synonymous with the 1800s, and so authors treat London as if it was the only place anything ever happened in (which is only partially true, but I’ll get to that in a moment). The result, which may or may not be coupled with a lack of research, is usually a Disney World-style London. The areas chosen to use are the most iconic, the accents are blatant and forced, and the characters are second-rate attempts at Jane Austen’s finest. (Side note: this is even more frustrating in historical fantasy stories that take place in OTHER PLACES, but still have local characters who act and speak as if they are British. STOP DOING THAT). This is usually an interest killer for me, because no matter how clever the author is, the complacency shines straight through. It’s like a cheaply made set in a movie- it’s distracting and shows poor craft. A little research can save you from this pitfall. Using other locations in England, or Europe, or anywhere else can be especially rewarding, given the right effort. But, there is something else before we re-consider London, such as… 2. Convenience: “Convenience” sounds more negative than it should, because this is the more positive use of London, and the honest truth about why a well-researched novel will use it. A quick history lesson: between 1700 and 1900, England was usually on the forefront of technology. Not only did some of our greatest advancements come from England, but the city of London was usually the first place where these advancements were readily available. Things like electricity, sewage systems, and railways were in place and working as early as 1870s, making things reasonably and (usually) realistically easier for characters. The citizens of a single area in Victorian London can sufficiently fill a cast, and the city’s iconic imagery can save an author from an exposition black hole with their location. “But the location doesn’t need exposition,” you might say. “The location doesn’t matter.” But this is where you might be wrong. The location you set your novel in is just as important as anything else, and sets a scene more than you might think. The places your characters spend their time in should affect them, just as your location affects you in real life. The location for your book is not a lifeless backdrop that the adventure unfolds upon; use the culture, find what’s unknown about it, what’s well-known about it. Blend these aspects in alongside the story; pepper them in dialogue and in what your characters do. You gotta make your location matter. So, what of London? I consider London the same; make it matter. And use it for a reason. If your characters don’t behave like they’re from London, they probably aren’t and you can do to explore other locations. Canada is underused in historical fantasy after all, as is most of Asia. And Russia. Why not Russia? What are your thoughts? Is there too much London in gaslamp fantasy? What books do you know that example other locations in this era? |
About MeCaitlin Jones is an author, film editor, and lover of all things Victorian and fantastic. Please check in for information on her upcoming series. Archives
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